Sunday, October 31, 2010

DWP - the last princess: four-line poem

the last princess

the young king's weary looking at all the princesses
in his search to find his beautiful queen.
"all these are boring, any one at all interesting?"
then comes the last one wearing a large nose ring.

Saturday, October 30, 2010

DWP - the gypsies: four-line prose prompt

He eyes the woman with the large silver hoop earrings and red bandanna as she explains the efficacy of the dried leaves and herbs wrapped in flimsy packets. The silver earrings make small tinny noises that dissolve in her hearty laugh, her bosom expanding as she does so.

He kisses her hand, "Marry me," he says, he takes in the smell of an aromatic packet attached to her wrist, and despite what seemed to be a perfect example of a human female, he notes her hands are coarse and calloused.

"I can't," she says, "I'm a gypsy and my heart belongs to no one and no place, and that's how things should be."

Friday, October 29, 2010

DWP - the squire: prompt

The Squire

Ergil checks his image in the hallway mirror on his way to the Royal Lair. He adjusts the large pewter bucket of his belt, the one that he has just acquired at the local markkinoille. Egil wants to impress and the belt, with the trefot design in stones of amethyst and crystal, gives him the absolute "manly" look.

He arranges his satiny purple cape so that it wraps around his left shoulder and arm just enough for his silver wrist band to peek through. His long brown hair cascades down his shoulders as he straightens them. He gave himself a little smile, proud of how squirely he looks.

Ergil taps at the door. He hears the faint voice of a woman.

"It's Ergil, m'lady," he says in the deepest voice he could muster.

The door opens, a large, middle-aged lady with big blonde hair, heavy long lashes, very rosy cheeks and very red lips, wearing no more than an expanded version of a tiger print corset, appears.

"Oh!" she exclaims, "Are you Ergil?"

Ergil, in shock, his mouth open, slowly nods his head; unbelieving that such a large package could have such annoyingly shrill voice.

"And you even came all dressed up. That's good." Her large bosom seems just a bit too large for her corset and Ergil fears it will burst out as she giggles.

"I'm here for the Lady Leonora," Ergil says, tipping his hat at the large lady.

"But I am Lady Leonora," she declares and giggles some more. "And you are my squire!"

Lady Leonora waves a grand gesture with her hand, then pinches Ergil's cheeks with her fat fingers with very long crimson laquered nails.

"You will escort me tonight to this wonderful costume party, non!" she says as she puts her one arm around his neck and Ergil's face gets buried in her large bosom. "Let's go, sweetie!"

Wednesday, October 27, 2010

DWP - the knight: prompt

The Knight

The beautiful Queen stands in front of the gentleman kneeling before her. She gracefully taps his shoulders with the sword, first the left, then the right. But when she lifts the sword, she starts to say something, looks around at her audience, mouths gaping, eyes unbelieving.

She giggles, softly at first which she tries to suppress it but the trembling of her shoulders could not be controlled. She bursts into a loud laughter.

The gentleman gets up from his kneeling position, swears the "f" word, and lifts his arms in total exasperation.

"Cut!" the director says. "What's going on here? This is take thirty-five, for God's sakes!"

She continues to laugh until tears flow from her eyes. The make-up artist rushes to her and tries to wipe the eye shadows that have smudged her cheeks. When after a few minutes she recovers, she faces the gentleman, his annoyance at her evident in his eyes, and she makes the sign of the cross in the air.

"You are now a knight in tights!" She starts to laugh even harder, then, putting two fingers in her mouth, she makes a loud whistle at the actor playing knight who now walks away from the set.

Tuesday, October 26, 2010

DWP - the dragon's birthday: two haikus

the dragon's birthday

the dragon's birthday
celebrated in China
plenty food and coins.

-0-

on Dragon's birthday
he learned how to roar and blow
fire at his momma.

DWP - the king: prompt

The King

King Arthur, that's what Regina and her sisters dubbed their father, Arthur, since they were children. In school they were taught that the home is a castle, the father is the king and ruler, the mother is the queen and the light that guides the subjects which are the children. And their father had ruled their home like a ruthless king.

And now, the king lies still on the hospital bed, eyes closed, oxygen mask obscuring the rest of his face. His shallow breathing comes simultaneously with the hissing of the oxygen tank beside him, the ninety-year old body emasculated both by age and renal failure. His last words just before he slipped into this comatose state has been "I wish Regina is here. I want her to bury me."

'How ironic that he wants me here, the bastard,' this thought goes through Regina's mind who now stands at the foot of the bed, her carry-on bag still in her hand, the two days of flight evident in her puffy eyes and stale make-up.

His doctor, a handsome man with bleached hair and young enough to be Regina's son, enters the room, introduces himself, shakes Regina's hand, and proceeds to explain that they will not operate on the patient because at his age his body may not be able to sustain the procedure.

She purses her lips. She knows this will cost her probably a good part of her retirement income for the year. "How long is he going to be like this?" she asks the doctor.

"Hours, maybe a few days," the doctor replies. She raises an eyebrow and waits.

"We never know," the doctor continues, "I'd say indefinitely." He feels his patient's pulse, checks the tubes connected to him then takes his leave.

She stands beside the king's bed, and surveys the man who had been the cause of her misery all her young years. The numerous beatings, sometimes for no reason at all; the unfair treatment she received from him because he favoured her brother, the first born; his adamant wish for her not to continue schooling because it's a waste of money because "she's a girl, and she would just get married anyway"; the contempt at her decision to marry a man much older than her, and to raise a son on her own. And that one despicable sin he committed, the thing she could never forgive. She had not seen or spoken to him for thirty years, although in the last several years she has soften a bit and has regularly sent him a monthly stipend when he could no longer work, because no one else is able to help him.

"Father," she whispers, but loud enough so he could hear her.

She thinks he has made a feeble groan.

"I'm here to bury you, Father, as you had wished." She pauses, waiting for him to stir. Then her face hardens. "Now, die."

Monday, October 25, 2010

DWP - continuation prompt

When he gains consciousness again, he finds himself propped on one of their dining chairs. He feels a streak of tightness in his face - the almost dried drips of blood from his head. The sun has almost set and the room takes on an eerie coldness that sends shivers down his spine. Fran sits motionless, duct tape holds her onto another chair; her eyes start to swell when she notices that he is conscious again. His first impulse is to rush to her and free her up but the cold metal of his father's gun against the back of his neck stops him.

"I tell you, you move and I will not hesitate to shoot you." Even his voice is much colder than it has ever been. He flicks on the light switch.

"Let's make this easy for you, son," he walks towards Fran. "Give me the papers."

"Dad, I know how Mum died," he says, his mind leafing through the papers that he has found among his mother's personal belongings carefully wrapped in manilla envelope.

"The papers, son. It's all I need from you. Then you won't ever see me again."

"Hah! the same way Mum never saw you again because you killed her when you knew she found the papers."

He feels the fire in his eyes as he hisses close to his face, "I loved your mother. I did not kill her."

He seizes this moment of vulnerability and kicks the hand holding the gun. The one mistake his father has made is to not tie him up. So once again he finds himself diving for the gun, and briefly wrestling with his father yet not at all surprised to find the gun's barrel staring at him within a mere inch, his father's face farther behind. Thoughts run through his mind like a video film on rewind. At the same time, he tries to push the gun away, but his father, despite his age, still has the same strength and determination and the barrel of the gun keeps coming back to his face. But he remembers what his father himself has taught him: "always look your enemy in the eye." He stares at his father instead and he notes they have the same blue eyes, although there is a certain coldness behind the deep blue stare.