Showing posts with label fiction; short story. Show all posts
Showing posts with label fiction; short story. Show all posts

Saturday, February 12, 2011

A Tear for the Unknown

July 3, 1971

The wind tears through the neighbourhood, sending anything in its path into the air. Trees bend with the whirling wind, as if by doing the wind's bidding, they shall be spared their lives. The few fragile ones give in and their roots are pulled away, and are unkindly thrown and discarded. The heavy downpour lends havoc to the scenery, even the waves on the breakwater from the Bay make known they are ready to devastate. The streets are deserted, save for a few cars and jitneys, as even the vagabonds have taken cover.

Yet, Jason runs to the basketball court with his ball, defying the winds, defying the rain, defying the strange feelings and fighting to keep them within. At first a few tentative dribbling, then as the rain pelts his face, he drives the ball hard on the watery concrete. This court is his, his territory, his kingdom. He rules here. He does not care whether there is rain or wind or hurling trees, this is where he is most at home. His skills are honed here, his presence revered by the unquestioning grounds that happily welcome his weight.

He drops the ball on the ground and unbuttons his shirt, throwing it to the side of the court. Then he pulls his pants down, struggling for a moment to get them off his legs without undoing his sneakers, now soaked with the water that had accumulated on the ground. The pants end on the other side of the court, disappearing into a puddle.

He picks up his basketball once again and dribbles it for a long time. The cold makes him shiver, but he does not care. No, if he does not want to feel cold, here in his court, he will not feel the cold. The anger, the emotions he has been stifling, these he channels to the ball. The more anger he feels, the harder the ball hits the ground in a watery splash. The harder the wind blows, the harder the rain fell, the angrier Jason gets, the ball hits the ground harder, and the water splashes strongly, sometimes even hitting his face.

He stands in front of the basket and sends the ball through. He stands farther back each time until he reaches mid-court. He knows, if he concentrates enough he can shoot the ball from that distance. He raises the ball, his eyes, despite the rain pelting his face, intensely focused on the basket.

But if one looks closer, one does not see just a young man stripped down to his underwear shooting baskets on the basketball court in the middle of a typhoon. As Jason thrusts the ball forward, tears blur his vision. And when the ball does not go through, he yells as loud as he can and the tears keep coming. And he yells some more, bidding the tears away, sending them with the wind as it blows devastation around the city.

Veronica. Veronica!

Several months ago, she was within his grasp. She had smiled at him. She talked to him. She came when he had asked her to see him play. She was there. Didn't he do that impossible layup just for her? Didn't he play his hardest so the team would win the game, for her?

She wasn't like the girls who ogled and giggled. She was so together, so calm, so mysterious. When she smiled, it was hard to guess what she was thinking. But he had watched her from the hallway of his third floor classroom as she walked across the quadrangle - she walked with purpose; the A to B, the here to there, no nonesense purpose. And yet he has seen her as playful. The few times he had seen her laugh, she threw her head back without a care, she laughed without pretensions. Her laugh was genuine and he longed to share laughs with her.

But he has never overcome his shyness. Even when he decided he'd be man enough to have a shot of rhum so he would not be shy. She just held him tongue-tied. He thought her piercing gaze can stop a train in its tracks. He could never guess what was in her mind.

And yet somehow he knew, there was something in there for him. And he wanted to know what it was.

But now she's gone, and he is left with the questions he didn't know how to ask. She has moved on. And somehow he knows he, too, must.

Thursday, January 27, 2011

PROMPT: write about someone from the past

November, 2008:

I received an e-mail today. The sender, ST, wrote: "ASF is asking about you, can I give him your e-mail?"

This was rather unexpected and I asked myself where this was coming from. Now, ST is a glib kind of person, meaning he talked big, in a rather boastful way. I tried to think back: did I in any way let out anything about ASF? As far as I knew, I had not discussed him with anyone, other than saying he was the star of the basketball team when I was graduating from high school. Of course, everybody, especially the girls knew ASF, and who wouldn't.


There's a signal from Sanny on the YM messenger. I logged on.

Me: What's this bullshit you're playing with me about ASF?

ST: It's true, he e-mailed me. He said "Can I have VMM's e-mail?"

Me: How did he know about me? My screen name does not indicate anything about my real name.

ST: Well, I sort of asked him if he knew you.

Me: Why would you do that?

ST: Just to find out if he knew you. Why? Are you hiding from him?

Me: No.

ST: Were you his girlfriend in high school?

Me: What kind of stupid question is that? I didn't have a boyfriend in high school. Did you personally know ASF when you were in high school?

ST: We knew the same people.

Me: Did you know who his girlfriend was back then?

ST: Yes.

Me: Who was it?

ST: You!

Me: ST, you are full of bullshit!

ST: hahahahaha. It wasn't you? Well, I didn't really know who his girlfriend was that time. But he was very popular, he had to have a girlfriend.

Me: Well, then?


Several weeks after that, I stopped communicating with ST nor did I want to have anything to do with the alumni group he had established. To my surprise, he sent me an e-mail, wherein attached was an e-mail from ASF, asking him for my e-mail address.

ASF and I did not as much talk in high school. The encounters I had with him could be counted with the fingers in my one hand.

First encounter:

Cynthia, Aida, Neri, Lourdes and I were in a vacant room on the second floor, singing. The school athletes were practicing downstairs in the quadrangle, as well as the PMT's and the boy scouts. VA took a break from their PMT routine and came up with RC. We were talking about our Physics assignments. Then some students came up to use the other vacant rooms. ASF passed by with his team mates, saw VA and Cynthia and they talked. He was standing by the door when I decided to leave the room to see if the canteen was busy.

I paused right beside ASF, looked up at his face and said: "My, you're very tall!"

I remembered that he smiled at me and said, rather shyly, "Hi!"

Second encounter:

A few weeks later, one afternoon, my classmate ZM and I were walking past the registrar's office and ASF was with some of his classmates. He ran and stopped right in front of me, effectively blocking my way.

"Hi," he said.

"Hi," I said while he started walking backwards.

"Are you coming to see the game?" he asked mentioning the name of a school that I didn't catch. He was talking about a basketball tournament that the school team was competing in.

I would have wanted to come with some of my girlfriends but the pressure of doing well in school had a lot of constraints on me. Plus I would need extra money for bus fare which I knew I couldn't have, so I shook my head.

"Can't." I continued to walk, ZM in tow.

"Will you pray that we'll win?" he asked, he's behind me now.

I looked back, and looked at ZM. I smiled at ASF and I said "Sure!" Suddenly he was gone.

"He likes you," ZM said.


Third encounter:

Three days later. The basketball court was being prepped for a game with a school from out of town. We were having recess and Cynthia and I were in the hallway passing time. ASF, holding a notebook, approached us. Cynthia gave him a big smile and they talked.

After a few minutes, he turned to me.

"Vikki, are you going to watch the game this afternoon?" he asked. This surprised Cynthia, her eyes round in amazement.

"Yes, we're going to watch," Cynthia said to him and was about to say more when ASF said to me:

"I promise my first basket will be for you."

I pointed a finger at me, my eyes inquiring, Me?

"Yes, you."

"Just the first?" I had to make light of the situation. Cynthia's jaws dropped on the ground and needed picking up.

"The first five," he said smiling. That's when I noticed his eyes. Looking at me. Me! And I noted the uneven lower front teeth. And his lips were red. And he was slim. And he had fair skin, well, compared to mine.

Cynthia recovered from this surprise. "Why not all?"

He laughed and said "see you". As he walked up the stairs, he looked back and smiled.

Cynthia turned to me: "What was that all about?"

"You heard him, first five baskets for me." I strutted back towards the classroom, like a peacock showing its plumes.

Cynthia, dear Cynthia, told the first girl who passed by.


That afternoon, at the game, Cynthia and I stood on the second floor hallway just above the canteen, where we had the perfect view of the west end basket. Our school's team scored first. It was him. He was looking up scanning the building until he saw me. And he shot another basket. And I cheered. For the team. Until I got my five baskets.

And Cynthia said, "I didn't know you're his girlfriend."

"I'm not. I hardly ever talked to him."

We went downstairs to buy Coke. Some girls from third year afternoon section, gave me a snide look and whispered loud enough for me to hear, "ASF's girlfriend."

And I thought: I am?. Hah! My plumes just got more colours!

Monday, December 20, 2010

Benjamin series: a chance meeting

"You are too short to be a model," Mrs. Leyba tells me. She scans my bio-data again, her round glasses almost slipping off her nose. "I don't understand why they sent you here."

"I'm not really a model," I say. "I was just modelling or sampling the underwear for private groups of women."

"I know," she snaps at me. "But if I hire you, you will have to sample the products at the floor, and if there are a lot of people, only the ones in front will see you." She cocks her head and peers at me through her glasses. "Plus aren't you too thin? I want someone with fuller breasts. You look like you're flat chested and your behind seems flat to me as well."

An emerging brand of underwear uses the Tupperware and Avon methods of selling its products. Instead of selling the products through retail stores, it hires 'independent specialists' to peddle them at offices or private homes. Leony, a friend at the office, starts to sell part-time and takes payment in instalments, something that is attractive to the young office workers who are earning minimum wage. In one of our lunchtime "parties", I would have no qualms about the girls seeing me when I try on the brassieres. A year later, the undergarment becomes popular and the selling trend catches on and the large department stores start to carry the undergarments and would hold private 'fashion shows' for their customers. Leony has asked me to "model" for her group parties because she sells more when the women sees the products on an actual body.

I shrug my shoulders. I take my shoulder bag and stand up. If she's not hiring or using me for the demo that afternoon, I might as well leave.

"Hmmm," Mrs. Leyba pulls the long Mongol pencil holding the bun of her long hair. "Well, since you're here, why don't we try to use you, ha?"

"Will I get paid?" I ask.

"Of course," Mrs. Leyba's eyebrows furrow and she shoots a dirty look at me.


I put on the beige lacy push-up brassiere with matching lacy panties. The five other models, three from the modeling school, and two are daughters of American diplomats, tower over me in the change rooms. Mrs. Leyba thinks I'd make a perfect window mannequin because I can stand still for a long time, that is, after she sees me standing still as I watched the girls practice their routine. She makes me stand in the front window on the second floor of the store, after she has sent me down to the make-up room.

She comes by after two hours and tells me to take a break. She forgets to bring a robe or towel for me so she tells me to dash off across the cosmetics department to the back wearing only the underwear I am wearing.

"C!"

I turn around and Benjamin is standing in front of me. I start to smile when a plump hand whacks across Benjamin's chest. Mrs. Leyba's.

"You're not supposed to interrupt the models!" Mrs. Leyba pokes a finger at Benjamin.

"It's okay, Mrs. Leyba," I say. "He's a friend."

"I don't care. Go on and dress up," she says, then turning to Benjamin, "You, get back to work."

It will be months before I would see Benjamin again.

Wednesday, October 20, 2010

DWP - bullies (part 2)

During recess, Reynaldo throws a small pebble at me.

Pangit! he yells. "Ugly!" His two shadows laugh as well as the other boys in the school yard.

"So what? At least I have a father." I face him with my hands resting on my waist. "You, you're a bastard."

The boys laugh louder and a few of them teased Reynaldo. "Bastard! Bastard!"

"You!" he points at me. "After class, you be ready. I'm going to have you beaten up!"

There is this girl, Gloria, one of Reynaldo's victims. She is tall, at least taller than I am, but skinny. She is sickly as she has asthma. She keeps mostly to herself, like Crispino. From behind, she pulls my pony tail.

"I'm going to kill you later on." She makes this declaration like she is a seasoned fighter then walks away.


Back in the classroom, Mr. Lachico interrupts our Arithmetic class to speak to Mrs. Azores. They glance at me as they talk, and for a moment it makes me think I am in trouble. Well, I am in trouble! After class, Mrs. Azores makes me erase all three blackboards, asks me to count the papers she has from another class, asks me to get water for her. Only a few pupils are left hanging around the schoolyard by the time she tells me to stop and go home.

"Oh, by the way, Lagrimas," she says, "On your way home, I want you to pass by Mrs. Santos's dress shop and ask her when I can pick up my pants, will you please?"

I say "Yes" as I grab my school bag and leave. This errand will make me take the back route from the school, not the normal route I take going home. I look around as I go down the steps to see if Reynaldo and his shadows are waiting for me. But there is only Manuel, one of the boys in my class.

"Lagrimas!" he says, "I heard that Reynaldo is waiting for you at the bridge. You pass by there on your way home, right?"

"Not today," I say, "Mrs. Azores wants me to pass by her dressmaker's shop just to ask for something." I frown. "She made me do a lot today. I think she's picking on me."

"No, I told Mr. Lachico what I heard, so Mr. Lachico told Mrs. Azores. That girl Gloria is with them."

"So they can wait for me there for as long as they want, because I'm taking the backstreet for Mrs. Azores' errands." I walk quicker so that Manuel walks about two steps behind me. He tries to catch up with me and quickens his steps, too.

"Reynaldo told Gloria they will leave her alone if she fights you. And she agreed." Gloria has also been terrorized by Reynaldo and his two shadows-sidekicks. Secretly, I thanked Mrs. Azores for saving me from this fight.


At the turn of the road, in a large vacant lot that is used as the neighbourhood dumpster surrounded by tall reeds so that it is no longer in view of the school, Reynaldo, his two minions and Gloria, along with other kids converge.

"You coward," Reynaldo yells. "I knew you were going to avoid me. You're afraid, aren't you."

"I'm certainly not afraid of you." I know my voice starts to quiver, because in truth, I am afraid. I have not had a physical fight with anyone other than my brother. It is not so much that I might get hurt, I am afraid my parents would find out and more afraid that because of that they will make me stop going to school. This does not look good at all.

Reynaldo walks backwards in front of me. "How come you are ugly and your brother is mestizo? Maybe you were adopted. Maybe your mother was a whore so she left you in the trash. Look at you."

"I still have a father, and you don't." I try to go past him but his two shadows block my way, too.

I take a back step but someone from behind yanks my ponytail. Gloria.

She calls me puta, bastarda, ugly and she curses my mother as well as all my ancestors. This is not the soft-spoken Gloria who teachers say is the best student in Catechism. But I would not deliver the first blow. At least I can say I didn't start the fight.

The first blow comes when Reynaldo pushes me towards Gloria and Gloria whacks my shoulders. It hurts, but I drive my fist on to her stomach, a slight punch, and I hurt more than she probably does. But she is determined to get rid of Reynaldo from pestering her and so she is determined to kill me, as she has threatened earlier. The children who are watching start to yell, cajole, and egg us on. When I realize that Gloria is really serious, as each punch becomes harder and more painful, I start to really fight back.

I remember a story that I have read in comic magazines sometime ago: "Go for the gut!" and my little fists barrel into Gloria's stomach in return to her punches. She starts to cry and grabs my hair, my fist at one point catches her chest. It feels so unreal that my hand has actually landed on another girl's chest and the hallow sound that follow makes me shrink in fear. We fall on smelly rotting vegetables and newspapers.

"Hoy! Hoy! Stop it!" I hear an adult's voice above the din of the other children's yelling. It is Mang Tiko, the ice cream vendor. He leaves his ice cream cart and tries to break Gloria and me apart. He gets hold of Gloria first, tears running down her cheeks, the dust mixing with the tears and gives her face a really dirty look. I get up but Gloria momentarily breaks away from Mang Tiko and she whacks me on my ears.

"I said stop it!" Mang Tiko shouts and yanks Gloria towards him. She spits at him then at me. It feels like my head is about to explode.

"Well, wouldn't you know it!" Mang Tiko tells Gloria. "Wherever did you learn how to act like this. Your mother is certainly going to hear about this." He tells Gloria then turns to me, "You, you go home right now."

Manuel hands me my school bag. I give Reynaldo the finger.

"Reynaldo is a bastard. He doesn't know who his father is because there's soooooo many of them." I yell this at the top of my lungs and the other children laugh and tease Reynaldo. He starts to chase them.


At home, my mother chastises me for dirtying up my dress and tells me to stop playing in the dirt next time. I look in the mirror to check if I have any bruise in my face and I see none. My stomach feels hallow and I can't eat my dinner. Why is it that whenever we have a good dinner, I cannot eat? Mother declares I must be getting sick.


In school the next day, Reynaldo stays away from me, lest I tell the whole world again that he has no father. Gloria does not come to school for a week because she has an asthma attack. During the time she is away from school, I keep praying for her not to die. When she comes back to school, she smiles at me and sticks her tongue out at Reynaldo.

Wednesday, January 6, 2010

Mr. Blue Eyes

Note: This story was published in 2000 by the unfinished press in an anthology titled "Shades of Blue"



“Spare some change, miss?”

Isabela heard a deep voice. It came from what looked like a heap of garbage sprawled on the steps of the condemned Bank of Montreal building on the corner of Yonge and Queen Streets. She gave a cursory glance. It was a man.

On impulse, she walked closer to the curb, being careful not to step off the pavement onto the traffic. She looked away, ignoring the man, and quickened her steps. She glanced at the traffic light and saw that the Queen Street traffic was still on green. She could make it to the corner just in time for the Yonge traffic to go and she would cross the street. But guilt chewed at her conscience. She was brought up poor and her parents instilled in her a compassion towards those less fortunate than herself. She inwardly chastised herself then turned and walked towards him.

He wore layered clothing despite the humid July heat, the colours indiscernible from filth. His unshaven face was dirty. She looked at him full in the face. Beneath the brim of his muddied baseball cap, Isabela saw the man’s eyes. She was struck by their vivid blueness - blue as the ocean she had seen from the airplane during her many travels to Asia and Europe. They were the bluest blue eyes she had ever seen.

“What did you need the spare change for?” she asked. She reached down her suit pocket, pretending to fish out some change; but she guessed he probably knew it was just an act: there was no jingling sound of any spare change. The man propped himself up and sat at the very top of the stone steps.

“For breakfast, ma’am. I haven't eaten for two days,” he said. He returned her stare, a glazed, blank stare. She stood there for a long time in front of him, staring, hesitating. For some strange reason, she felt sympathy for him. The man and his blue eyes.

She felt a tinge of panic inside and thought about just giving the man a few quarters, as she mentally searched the inside pockets of her purse for change. But her feet seemed frozen on the pavement. She stood there gawking at the blueness of his eyes. Only the loud sound from the bell of a passing streetcar seemed to jolt her back to her senses. She said, “Look, I can't give you money, but I can buy you breakfast, if you like." She could not believe what she just said. I am being hypnotized, she thought.

He smiled; it was a mocking smile, she thought. “I know, ma’am, you don't trust me,” he said, his voice devoid of emotion, at the same time appearing suspicious of the offer at hand. “I can’t blame you. Thank you anyway.”

“No, it’s principle,” she said, “If you’re hungry, I’ll give you food, but not money.”

He looked down at the pavement; the expression on his face changed to that of resignation. She couldn’t see his blue eyes. Then he looked up at her again, and in an almost inaudible voice, he said, “I don’t want to impose, ma’am; you must be on your way to work.”

She shook her head lightly. “No, I’m not from Toronto,” she lied. “I’m a tourist.” Then she said, “Your choice.”

She motioned to her left, at the rows of McDonald’s, Burger King and a small diner with a 24-hour neon sign still blinking and a blackboard outside its door advertising “pancakes” special. Across Queen Street, towards the south, Tim Horton’s and Taco Bell signs loomed prominently.

The man stood up, tentatively, all the while staring at her face, himself unbelieving. He was tall, towering above her; the lean shoulders hunched as if in total defeat of what fate had handed him. The dirty clothes hung from his body, frayed from being unwashed; as a repulsive smell emanated from his movement, Isabela took a couple of steps back.

The man took a few steps, blinking his blue eyes and shaking his head as if seeing daylight for the first time. “Pancakes,” he said in his deep, tired voice.

Isabela pointed to the bundle he was using as a pillow.

“What about your stuff?” she asked, concerned his meagre belongings might get lost.
Instead, he muttered, “Pancakes,” again and the glazed blue eyes were fixed on the blackboard in front of the diner up ahead. Without another word, they walked towards the diner. The man trailed behind her. She made sure she was at a safe distance to avoid the putrid smell that had now assaulted her nostrils and caused a throb in the spot above her eyebrows. Her stomach churned and, for a moment, she felt like throwing up and almost regretted her act of kindness.


“Not allowed! Not allowed here!” the oriental waiter protested, in a heavily accented tone, as he tried to shoo the vagrant away, like he was driving away a stray dog.

Isabela looked at the waiter, raised one hand to stop him and said, “He’s with me,” a tone of resolute defiance in her voice.

Two men, both wearing business suits, appeared behind them, wanting to get in. One muttered, “What the fuck!” but held off when Isabela looked back at them with one raised eyebrow. They left, laughing and muttering obscenities Isabela felt were directed at her.

The Korean waiter looked at her with astonished disapproval and muttered something in his language, something that sounded savage. He looked at Isabela from head to toe, surveyed her Donna Karan suit, the pearl choker, the big leather purse and white Keds running shoes. His unbelieving look seemed to tell her, “Surely you don’t mean that!” But she knew the look meant more than that. He was belittling her, probably thinking she’s some Filipina shit who couldn’t resist picking up a handsome beggar. She cursed the waiter in her head. An equally savage curse in her own language.

“Bad for business, see?” the waiter said as he motioned towards the direction of the two men.

She could almost feel the waiter’s disdain: her face turned red. She continued to stare at him. She resolved she would not back down. She noticed his nose twitched from the smell of her unlikely guest. Then, realizing she would not leave, the waiter stepped back and let them in. He walked up behind the counter, still muttering savage sounds.

The restaurant was empty. Isabela chose a table by the opened glass window -at least the smell of fumes from the passing cars would be a relief from the putrid smell of her guest; the smell of rancid grease that permeated the whole restaurant was already a blessing. She told Mr. Blue Eyes (for in her mind she decided to call him that) to sit down. Instead the man motioned for her to sit first, taking his dirty cap off his head, revealing unwashed, unkempt dark blonde hair, bowing his head in a gallant fashion, bending his body awkwardly. It was a sincere gesture. Chivalry’s not dead after all, she thought as she smiled at him and sat down. She handed him the laminated menu card which was propped on the table. His face brightened at seeing the sumptuous colourful pictures. A smile almost appeared at the corner of his mouth, the colour of his eyes now a more vivid blue.

Without looking at his host, Mr. Blue Eyes said, “I may not have this chance again, ma’am, but do you mind if I get the pancakes with sausage and eggs?” His fingers pointed at a glossy picture. The dirty, pallid face was for a brief while painted with excitement, like a child opening a most wanted gift on his birthday. His lips stretched into a smile, the sunken cheeks revealed a pair of dimples.

“Sure,” Isabela said, nodding. “Go ahead.”

The man motioned to the waiter who deliberately tried to ignore him. Isabela then raised her one arm and flicked her fingers and said, “Mister!” raising her voice enough for the man to hear.

The waiter, making no effort to disguise his annoyance, walked up to the table.

“What!” It was a rude interjection rather than a question. Ignoring this show of rudeness, Mr. Blue Eyes ordered the pancakes combo and coffee. He ordered coffee for Isabela but she politely declined, amused at this show of gallantry but at the same time preoccupied with anger at the waiter’s attitude. She turned to the waiter and, in a quiet, firm voice, told him to give her the bill right away. Still mumbling with disgust, the waiter walked back behind the counter, angrily punched the order on an unseen machine then disappeared through the kitchen door.

“What is your name?” she asked, trying to make her voice sound kinder, friendlier.

He did not answer. He sat quietly, his head slightly bowed, stealing a furtive glance at her face. He was embarrassed and was visibly more uncomfortable than Isabela. Then he said, “Them people must be mocking you.” He motioned his hand towards the counter. He continued, “And thinking bad things about you bringing me here...” his voice trailed, “A bum, smelling like a pig.”

She shrugged her shoulders and smiled, but he didn’t see as he lowered his gaze down. For a while, they both sat down facing each other in awkward silence.

“What happened to you?” she asked in an attempt at small talk. When he did not answer, she apologized. He looked out into the street seeming to count passers-by and cars. His eyes had turned a darker shade of blue, like the colour of a gathering storm on the high seas. She thought he must have been offended by the question. She chastised herself: what right did she have asking him about his predicament just because she was buying his breakfast?

“I'm sorry,” she said. He didn't say anything.


The food arrived. He drank his coffee in one gulp and asked for a refill then ravenously attacked his pancakes. For a moment, Isabela was afraid that he would choke but he just swallowed and gulped. Nothing happened. She sat there, mesmerized by the man’s blue eyes. She noticed his lean hands, the long bony fingers which probably did not know manual work now dirty, the long uncut fingernails black underneath, protruding from a pair of dirty, shorn, knitted gloves. She surveyed his dirty face and guessed that it must have been days since he last shaved.

Halfway through his breakfast, he said, “Cocaine.”

Isabela strained to hear him between his chewing and the noise coming from a passing Fedex delivery truck.

“Crack cocaine. That's what happened to me,” he said again. “And booze!”
He was adept at using knife and fork, Isabela observed. She guessed that he must have been brought up properly, had good education. She pictured him in an expensive car, with beautiful women. She pictured him neat and trimmed and clean, in a suit, lounging in a large well-furnished home. She pictured him not as he appeared. Then after a long silence, he spoke again.

“I used to have a family, a big home, a nice car, a good job. I lost them all because of cocaine. I sold my soul for cocaine. I didn't care if I didn't eat; any money I could get my hands on, I spent on cocaine.” He paused. He contemplated one of the sausages before cutting it into four pieces and forked one piece into his mouth.

“And alcohol,” he continued, pouring syrup on his last pancake. “But I prefer my life now, a bum. If there is drugs, then so be it. If not, it really doesn't matter.” He slowly placed his fork down as he chewed the piece of sausage. He looked away.

His face betrayed emotions of sadness and regret. His gaze lingered outside into the street. He furrowed his eyebrows and shook his head. Isabela thought she saw a glint in his blue eyes: he was fighting tears. She followed his gaze. At the bus stop, a man, probably in his thirties, dressed in a yellow golf shirt and neatly pressed khaki pants held a thin briefcase and a lunch bag in one hand; the other hand held the tiny hand of a small boy, no more than eight years old: father and son, engaged in casual conversation. Then, almost abruptly, Mr. Blue Eyes grabbed his fork and continued to eat his food in silence, more deliberate now, as if trying to memorize how each bite of food tasted, or maybe, Isabela decided, trying to purge his mind of the poignant memories spurred by the scene outside.


When he finished, the plate was wiped clean: no crumbs, no spills, no leftovers. He was really hungry, Isabela thought. He drank the rest of his coffee without so much as looking at her. When he finished, he sat quietly for a while, then started to fidget with his feet underneath the table. She sensed his uneasiness and Isabela took this as a signal to leave. She stood up, walked to the counter, grabbed a cello-wrapped cinnamon bun, waving it to an older oriental woman crouched unseen behind the counter. She heard the woman say something in the same language as the waiter’s and the waiter appeared from the kitchen. She asked for the bill by making an imaginary rectangle in the air with her fingers. She walked back to the table and gave the cinnamon bun to Mr. Blue Eyes, placing it on the table in front of him.

She smiled and said, “Have a nice day.” Before he could say anything, she turned away and walked back to the counter.

She paid the waiter, telling him to keep the several cents change. The waiter said something under his breath that she strained to understand: “Why a nice woman like you do this?” She glared at him. It was her turn to look at the waiter with disdain. She fought hard within her to ignore the question and, without saying anything, left the restaurant. But inside her, she asked herself the same question. Was it pure pity or curiousness? Pity wasn’t it. Maybe she’s curious. She quietly charged it to her religious upbringing: help the poor. But she passed by many other beggars every morning, everyday, everywhere and she never as much gave them anything. “Why don’t you get a job, you idiot!” sometimes she would tell a what looked like an able-bodied person. But Mr. Blue Eyes. She couldn’t resist those blue eyes.


Outside, in the street, the still, humid air seemed a precursor to another scorching day. She sensed someone walking closely behind her: it was Mr. Blue Eyes. She quickened her steps but he had longer strides and as he went past her, he walked backwards so that he was facing her. He smiled and said, “Thank you.” Isabela looked at him and his blue eyes one last time and smiled at him, then, aware of strangers’ eyes with questioning looks, nodded in dismissal. He smiled back. In a moment, the man with very blue eyes was gone.

At the corner of Yonge and Queen, as she stopped and waited for the lights to turn green, she looked up at the hazy blue sky, a ray of dull morning sunlight that shone between the tall buildings struck her eyes. She removed her blazer as she felt sweat from the back of her neck trickling down her spine and forming beads on her forehead. The lights had turned green and a throng of people from the other side started to cross. She slung her blazer across one shoulder and without looking back, she met the throng head on and crossed Queen Street. She walked past an old man holding a sign that read “Homeless Viet Nam Vet” begging for spare change. A few yards farther, a young couple with green spiked hair huddled together underneath a blue blanket and asked her for a dollar. Isabela twisted her lips in disgust. She kept walking.

Saturday, December 19, 2009

A SHORT STORY - Silent Night

The girl, about eight, stands by the window and holds her little baby brother in her arms as she hums "Silent Night". Sometimes the baby lets out a small cry, but always it is soothed by his sister's gentle swaying. She looks out the window, where she can see the far end of the street, the cars and buses tiny in her vision. She strains her eyes trying to make out if the image of a woman at the corner is of her mother, who has left earlier in the afternoon promising to come back with food for their Christmas table. But it's not her mother. For a while, it looks like her, but it isn't her. Lights can sometimes fool one's vision especially at dusk.

The girl thinks of her mother, concern obvious in her furrowed eyebrows, as she sets the baby on a tattered blanket on the wooden floor. Her mother has not been well for a few days now - she's had fever at each day's end, and coughs that sounded like ribs are about to burst out of her chest. Even then, after she has put on her only good dress, the pink one with little sequins in the bodice, she looks beautiful, especially with her hair pulled up and only little wisps of her curly hair framed her face. She has kissed both the little girl and the baby and held them in her arms for a long time, whispering soothing words.

She says she will be gone for only a few short hours. A friend from a long time ago owes her money and she will try to get it so they can buy food for Christmas and, especially, milk for the baby. She says they will go to church and attend mass and they will kiss the statue of the infant Jesus lying in the manger at the back of the church. She will be home soon, she promises. "As soon as I can."

The sky has already turned dark and the horizon's deep red slowly vanishes as the sun sets and the night settles in. Faint twinkling of stars appear above. The girl doesn't know if there will be a moon, but she hopes there will be. Her mother has said, after her father died, that he has gone to heaven and is sitting on an anvil and she can see him when she looks up at the moon.

The baby lets out a small cry. The girl puts her little finger between the baby's lips, and the baby, although too weak from hunger, sucks it eagerly. The girl prays that milk comes out so the baby won't be hungry anymore. The baby falls asleep and the girl wishes he would sleep longer this time, or at least until her mother comes back.


A woman with wan skin and pale face, sits on a chair outside the dance hall. She tries to suppress a cough as smoke from another woman's cigarette blows her way. Although looking sickly and dressed simply, she is no doubt the most beautiful among the other women. The manager, a short dark man with a goatee beard arrives shortly, accompanying another man, much taller, handsome and well dressed. But if one looks closely, his eyes are cold and expressionless. He eyes the seven women sitting along the corridor and points at the woman with the pale skin. The manager flicks his finger at her and although feeling sick, she stands and smiles at the man.

The manager asks the man and the woman with the pale skin to follow him through the long corridor and up a steep and narrow stairwell to the second floor. The manager opens a door to a small room with a wooden bed. There is a thin foam on top of the bed, a threadbare pillow and an old bedsheet. She unfolds the bedsheet and covers the thin foam. She sits on the edge of the bed. The man, without speaking, takes his wallet from the back pocket of his pants, opens it and pulls a few bills and hands it to the manager. The manager smiles and nods at the man and thanks him as he retreats from the room.

The man takes off his clothing and lies on the bed. The woman with the pale skin carefully undresses herself and lies beside the man. Upon his touch, she closes her eyes and when he goes on top of her, her tears flow. She thinks of her children, her beautiful little girl who she dreams will become a ballerina someday, and her little baby boy who she hopes will become a doctor when he grows up. She smiles at the thought and the man takes this to mean pleasure for her. So the man violates her body again and again until he himself is exhausted.

He gets up and dresses himself again. Although weak, she dresses herself, too. The man throws a few bills on her lap as he leaves the room. She pockets her money, and finishes buttoning up her blouse. On her way down the stairs, the manager hands her a few more bills. She smiles at the manager, bows her head slightly and thanks him for his kindness and generosity.

She takes a short bus ride to the nearest market. Most stalls have already closed for the night, it being Christmas Eve, but she knows one store that would still be open. The Jewish storekeeper keeps his shop open until late. She only barely notices the bright lights on Christmas trees displayed in the stalls, as her trembling knees speeds up to get to the end of the market building. She promises herself that if she feels better after Christmas, she will take her daughter here so she can see the beautiful Christmas displays.

At the grocery store owned by a kind Jewish man, she takes a small basket and goes around examining the store shelves. In her basket, she puts two small cans of Vienna sausage, a jar of marmalade, a small loaf of bread that is still warm, and a can of milk. She sees a small doll. She checks her money and, content that she can afford it, she pays for her purchase and walks briskly to the bus stop. Her arms are weak and her load proves heavy for them. She starts to cough again. A bus is coming fast and she needs to catch it so she does not have to wait long for the next one. She wants to be home immediately, to feed her children, and to rest.

Her head feels heavy and everything around her seems to swirl. The bus slows down, but the driver, seeing no one at the bus stop, drives away. The woman yells for him to stop. She runs; she has to catch this bus if she has to reach home in time to feed her children, to take her daughter to hear the midnight mass. She wants to go home to her children. She does not want to wait for the next bus which would get her home well after midnight. She needs to be home now.

She runs faster while she hangs on to her grocery bag, hugging it tightly around her chest so the cans of Vienna sausage and the milk and the marmalade and the loaf of bread and the doll don't fall off. When she reaches the curb, the heel of her left shoe breaks and she loses her balance. She fights to not fall and steps off the pavement onto the road. A car in the next lane swerves to the right to pass the slower car ahead, grazes the curb and hits the woman wearing a broken shoe and carrying a large grocery bag.

Suddenly, the woman sees blinking Christmas lights hanging on edges of the roof and gutters and walls of the market building. And as her head hits the ground, the last thing that the woman sees is the back of the bus as it speeds away, the bus that she has wanted to catch so she can go home to her children, while she still holds on to her precious groceries.


The girl sits on the floor, her little baby brother in her arms. He does not cry anymore. She has told him to stop crying for mother will soon be home. She puts a pillow on his face for just a while to quiet him. Her stomach continues to grumble from hunger, three days without food will do that to you. She stands up and looks out the window. But she only sees the darkness nearby, a flickering candle from the house in the middle of the field opposite her house, and the faint light from the street lamps at the far end of the street. A woman gets off a bus and the little girl squints her eyes to see if it is her mother. It has to be her. Finally!

She puts her baby brother on the floor, very carefully, for she does not want to wake him up. She stands by the window, props her arms on the sill, and starts to hum "Silent Night".

Friday, December 4, 2009

je me souviens...


Antwerpen, 1984. Ifor and I sat in one of the small brasseries along the Escaut Canal, watching the setting sun and taking in the magnificent hues of the sky, pale purple and gray brushed like feathers against the hazy blue sky. Ifor sipped on his Stella Artois while I nursed a glass of martini. The boats had arrived and people occupied the patio chairs and tables and settled in with their aperitifs. I noticed how people stared and when caught, smiled then looked away.

"They seldom see an Asian in this part of the world," Ifor said.

"I'm not Asian," I protested. "I'm from the Philippines and that makes me a Filipino."

"But Philippines is in Asia."

"But THE Philippines," I corrected him. "Don't forget the THE."

"Anyway," he continued, "If you haven't noticed you're the only colored person in the whole plaza."

I looked around and he was right. Not one colored person, local or tourist. "Why is that?"

"Should I be ashamed?"

"Why should you be?"

"I don't know. The way you pointed it out to me seemed like I should be conscious of the fact."

"Didn't mean it that way. In any case, you're the most beautiful woman in here, too."

I laughed, the kind of laugh that made people's heads turn.

Ifor finished off his beer and signaled the waiter for another one. "And now they're all looking at you, too."

The waiter brought his beer and said something to him in Flemish, then in French. Ifor smiled and said something back to the waiter and the waiter nodded and smiled. He disappeared for a few seconds and then came back with a glass full of crushed ice and a bottle of Perrier.

"Hey, what was that all about?" I asked. "Did you pimp me to the waiter? He doesn't look bad. How much is my cut?"

"He asked if you are someone famous." The corners of his mouth crooked just a little bit for a grin that he tried to suppress. "I said you are an opera singer from Manila, and you are here in Belgium for a big performance in Bruxelles."

"You said that?!?" I said it a little bit too loud and all heads turned to look at me again. I covered my mouth when I realized this. He laughed and I giggled.

"Well, I better get on with my show then," I started to stand up.

"Oh no," Ifor said, eyes conveying both amusement and surprise.

Around the world, I searched for you... His face turned serious, one eyebrow raised, while he continued to sip his beer.

I travelled on when hope was gone to keep a rendezvous.... "I'm not sure if my lyrics are right," I said and paused for a minute.

"Your audience is waiting, mademoiselle," he tapped the back of my hand. I grabbed his hand and brought it to my cheeks. He tried to pull it back but I didn't let go.

I knew somewhere, sometime, somehow, you look at me and I could see the smile you're smiling now... He decided to play along with me.

Not letting go of his hand, I danced around our small table and stood next to him.

It might have been in Amsterdam...Somehow the light of the setting sun beamed on my face, as if I was on a stage and the kleigh lights on me. I wanted to stop, but the martini did something to me and I had lost all inhibitions.

...or in New York...in gay Paris...or even London town...

People started to mill around the perimeter of the bistro and gawked at us, or me, if you would. Some people took pictures and the flashing of camera bulbs momentarily blinded my eyes.

No more will I go all around the world, for I have found my world in you....

By the time I reached the final note of the song, I was already sitting on Ifor's lap, his arms around my waist and mine around his neck and then we burst out laughing. We laughed so hard we almost fell off his chair. People clapped and whistled. A woman stood near us and smiled at a man who was holding a Nikon and took a picture of us.

The waiter came back and placed a carafe of white wine on the table, courtesy of, he said as he pointed to, the group of German tourists from the bistro next door. Ifor gave them a small nod and lifted his Stella Artois, smiling.

"That wasn't bad," he said.

"My singing?" I asked.

"No, the free wine."

And we laughed so hard we almost cried.

Friday, November 13, 2009

PROMPT - star

The sandstorm has stopped and Jon and I sit inside the Miata, he with his SONY Walkman and I with my fear. He fiddles with the earphones and flips the AHA cassette tape that he’s been listening to. I grip the steering wheel of the car and I imagine desert snakes and crab spiders burrowing through the muffler of the half-submerged car and coming out of the air vents. A scene from the movie "Worms" flashes through my mind in which millions of worms squirm through all the nooks and crannies of a car. The thought makes me shudder and the hairs on the back of my neck rise.

I look at Jon, still fiddling with his Walkman, putting on another cassette tape, making sure the one he has replaced, the AHA tape, is in the correct container, replacing it in the hidden compartment between our seats. Jon is a neat-freak or, in his own words, he likes to be organized, because time only passes once, and no one gets a chance at recovering it. Jon works as a trainer at a big hotel in downtown Muscat.


We have been driving back from Nizwa, a town in the western interior of Oman, to Muscat, the capital city where we live and work. The two-day celebration of the Sultan’s birthday gave us a chance to drive around the nearby towns, taking in each town’s soukh or local markets. The storm hit when it was almost sundown, just when we had left the town proper and in the middle of a small highway flanked on both sides by date plantations. The red sky became dark and it was difficult to see ahead so we decided to pull over and let the storm pass. That was three hours ago and now it’s almost eight in the evening and the sun’s already setting, the sky taking on a charcoal gray hue from the subsiding sandstorm and the road has disappeared. There are no other vehicles on sight, not even a donkey nor a camel.

Jon leans over to turn on the windshield wiper, purposefully letting his hand brush against my breasts, his face touching my right shoulder. He tries to kiss my neck but I lean back against the car window, away from him. The windshield wipers make a low scratching noise as it travels across the dusty windshield, forming half arcs of now clear Omani skies. A new moon, almost a sliver, floats on the horizon. Faint twinkles of stars dot the sky.

"How deep are we actually buried in?" I ask him.

He shrugs his shoulders, looks around although it is already too dark to see anything.

"I don’t know. Maybe tire deep or less." He switches on the radio. Omani music fills the car.

"And how is this car going to move if it's submerged in sand?" I grip the car key between thumb and forefinger to start the car.

"You can't drive yet," he says, taking my hand away from the key in the ignition. "The car won’t go anyway."

"And how do you suppose we’ll go back?" I ask, my voice becoming high pitched as my panic starts to show. I'm supposed to check in with my boss once back in the city, the same way I had to inform them I'm driving around the interior for the weekend, of course, to the consternation of Mr. Cunningham, especially that I wouldn't tell him who was coming with me. By now, they would know that I didn't drive around in my SAAB because the car is parked right in front of the entrance of the Hatat House, my apartment building.

"The wind will start blowing again and then the sand will be blown and we'll be on our way." Jon says casually.

"How do you know this? Have you been caught in a sandstorm before?"

"No," he says nonchalantly. Then smiling, he says, "I'm just pulling your leg." He puts one arm around my shoulders and pulls me towards him. With the other hand he holds my face and kisses me in the mouth, the warm tongue searching mine. Thoughts of desert snakes and spider crabs crowd my mind again and I pull away.

"What’s wrong?"

"Snakes," I say, "they might wiggle through the muffler and get inside the car."

"No, they won’t," he says as he starts to kiss me again.

"We’re half-buried in sand in the middle of nowhere and all you could think of is just kiss?" I fold my arms across my chest. He sits straight.

"I wasn’t thinking of just kiss," he says, pretending to look hurt.

"Oh."

"I also want to have sex right here." He grabs me towards him, but I push him away.

"Are you serious? What if a policeman comes by? You want me to land in jail?"

"Do you see anything anywhere?" His arm flails. "It's dark all over. The only light we can see are the stars." His nostrils flare, something he does when he gets excited or anxious. One hand gropes inside my blouse. I give it a slap.

"Kill joy," he tells me, and sits back and looks away. He grabs his Walkman and carefully untangle the earphone cords.

Two Filipino expatriates in the middle of a date plantation somewhere in the interior of the Sultanate of Oman, that’s what we are, Jon and I. In the Philippines, we would never have met, our paths would never have crossed. Children of well-off families go a different route than those from the lower middle class. If ever, I would've been the secretary who types and answers phones, and he would be the boss who orders people around. It's like, he's up there in the big mansion and I'm down here in the servants' quarters, and never the twain shall meet. But in the land of the lonely that is the Middle East, all of us expatriate workers are equal.

A light wind blows and the sea of sand rustles around us. We sit and watch the sand and the stars, it seems for forever, but the clock on the dash tells me it has only been five minutes.

"Okay," I say.

"Okay what?" he asks seemingly annoyed.

"Okay, let's have sex right here."

We look at each other for a long time, then we break into a loud laughter. I laugh so hard I slap my hand on the steering wheel horn and it gets jammed. He tries to push buttons and knobs on the dash as I panic, the noise filling my ears. I scream and I hear Jon yelling at me to shut up.

I am still screaming when the horn stops.

I folded my arms across my chest and turned away.

"Damn car," I say.

"Hey, don't swear at my car."

"Damn car. How can we have sex in such a small car, half-submerged in sands and with such cramped space inside? I will never buy such a stupid car. Stupid Miata. I will never buy it even if they put it on sale for the price of the hatched back. We should’ve taken my car instead."

Jon sits quietly.

"Damn car." I say. "Damn sandstorm. Damn."

Suddenly he grabs me and says something in my ear. I try to push him away.

"Come here," he says and he grabs me again.

"You and your damn sex and your damn teeny-weeny car."

"I have something for you."

"What, you have a hard on?"

"Aside from that, look!"

He points towards the sky that has now been transformed into a blanket of dark velvet blue glittering with millions of stars.

"Aha," I say as I held on to his arm. "The stars of Oman. It's beautiful, ain’t it, the view?"

"See that big one, straight from here? The one beside those two clusters? See?"

"That one beside the Big Dipper and the Small Dipper?" I say in a mocking tone.

"Shush, just look, will you?"

"I'm looking! I'm looking. So?"

"That's yours. From me, for you."

Monday, November 9, 2009

PROMPT - a secret

I didn't know she was home. The apartment was quiet. Her bags weren't in the usual place beside the sofa. So I thought I was alone. I sat on the sofa and settled my feet on the ottoman; there's a fresh issue of Architectural Digest on top and I shoved it to one side. There was an eerie quality to the quietness, but I supposed it's the gray of the skies reflecting through the windows.

I shut my eyes and for the first time in so many days, I felt I could fall asleep. I was on the verge of this sleep when I thought I heard faint sobbing. I opened my eyes and got up. The sobbing came from Jeanna's work room. I walked slowly towards it and the sobbing gradually became more audible. It was Jeanna.

I pushed open the door and I saw her kneeling down on the floor, in front of the lowest drawer of the tallboy, the drawer that was always locked and only she had the key. Her head almost touched the floor, her back to me, her shoulders moving as she sobbed. I heard her speak, as if in prayer. Then I heard the words "I love you!" I noticed she was hugging something.

"Jeanna? What's wrong, darling?" I reached down and touched her shoulder.

She jumped in surprise. She turned her face towards me, eyes red, face wet with tears. Then I saw what she was holding. An old frame. It dropped from her hands in her panic. The glass broke into small pieces. I reached for the light switch and flipped it on.

The man in the photograph was smiling. The photograph was old. This was the secret hiding inside that locked drawer. I looked at Jeanna's face. She had wiped the tears and I saw that her eyes blazed.

"What are you doing here at his hour? Do you not know how to knock?" There was no mistaking the coldness in her voice. She was a different person than the Jeanna I knew as my wife.

"Well," I started. "I heard a noise, sobbing really. I didn't know you were home." I could feel her intent gaze as I spoke, my eyes focused on the photograph on the floor, at the smiling man. "Who is that?"

She darted towards me. I heard broken glass cutting into flesh, her feet. There was blood on the floor. Her eyes still blazing, she started to pound my chest with her fists. "You have no right!" she yelled. "Why can't you leave me alone? You have no right to see me like this! You're not supposed to see me like this!"

She pounded and pounded and I stood there. Now I understand. All these years, there's a man in a locked drawer in my house who actually had her affection, her heart. All these fifteen years. She had it well hidden in that locked drawer. I respected her privacy and even when she had left the drawer keys dangling from the lock that one afternoon in May, I fought the temptation to open it and find out her secret. Yes, I had often seen her, on her knees, staring inside that drawer. To me it looked like she was saying some kind of devotion to a hidden diety. But she said she loved me, so many times, and I believed her, even when sometimes I knew the words were empty.

She stopped pounding and fell on the floor. The pieces of broken glass unkindly cut at her knees, her legs and her hands. She wailed as she looked at her hands, blood running like little rivers down her arms.

"Who is this person, Jeanna?" She reached for the photograph, palm right smack on the man's face, now all bloodied. "Goddamnit, I demand to know who this is!"

"No one," she said. "No one!"

"But you're crying because of him. Why?" I thought of the "boyfriend from another lifetime who had died"; at least that's what she had always told me. What was his name? Erick? Jandrick?

She held the blood-stained photograph to her chest. On the floor, broken pieces of glass scattered like diamonds and rubies.

"I loved him so much. He was the only one. HE IS THE ONLY ONE," she muttered. "And now he's gone. He died last night."

It doesn't make sense.

"I thought you said Jandrick died a long time ago."

"No, I lied. He's been alive all this time."

And I thought I was competing with the memory of a long ago dead boyfriend.

"Why didn't you tell me?" I asked. That was when I felt the stab in my heart. It had been there for a long time and I only noticed the pain now. Maybe I had died, too, a long time ago and I just didn't know it. It was then I realized my marriage was a farce; or maybe there was even no marriage at all.

I left the room. I pulled out an overnight bag from the hall closet and went inside the bedroom. I threw in some clothes. I refused to stay in this house of pretend love and dead emotions.

As I opened the door, I heard her say, "Where are you going?"

I looked at her and said, "When I come back in two days, I want you out of here. Bring the photograph with you."

I started to leave. "And oh, yes, you should call your lawyer."

I walked out and didn't look back.

Saturday, November 7, 2009

PROMPT - naked women


Derrick John wakes up from his afternoon nap to the stifled laughter and giggles of his wife, Irena, and her friends playing mahjong in their downstairs living room. He pictures them in his head, as he lies in bed, even as he shuts his eyes close, the image crowding in his brain: five thirty-something women sitting naked as their hands fiddle with the ivory mahjong cubes. What pleasure do these women get in taking off their clothes when amongst themselves, knowing that an old man lies upstairs in his bed, trying to rest and enjoying his retirement?

Derrick John does not stir but plays a game in his head. He hears a laugh and matches it with the face of the women. Since he married Irena, his mail order bride from Cambodia, two years ago, this scene has been a regular in his home, every Wednesday, from noon until midnight. She allows Irena to invite her friends so she does not feel lonely. By now, he has already learned which laugh belongs to which woman. There had been many times when Derrick John would leave the bedroom to go downstairs to eat. Of course he has to eat and while the mahjong session goes on, Irena, forgets to feed him, he, Derrick John, who pays for the clothes, shoes and food she would never have had if she was still in her country, in that far flung village where she lived with two dozens of her relatives in a hut smaller than the restroom of his house. The first time he saw these five women naked in his living room, he was shocked. Not so much at the sight of nicely shaped legs and bouncing breasts and swaying hips, but the fact that they were all naked, and unabashed at the sight of him.

He pictures Carmencita, the Filipina, the one who sounds like a man as she sits beside Irena. With very dark skin, cropped black hair, face resembling shooting practice board – she had a bad case of acne as a teenager back in Manila. Carmencita does not only sound like a man, she also looks like a man. Her firm round breasts with charcoal like nipples, tiny waist and long legs could not rouse Derrick John’s desire for women.

Freeda sits opposite Irena. He imagines a glass breaking every time Freeda shrieks into a laugh. Her laughter annoys him to no end but he has imagined many times having sex with her. Who wouldn’t? Her silicon breasts that rest on the edge of the mahjong table are huge and he, Derrick John, is the “breast” kind of man. Her long Sri Lankan black hair covers her bronze colored back, tracing the little curve and reaches just low enough to cover her ass. And, unlike Carmencita, Freeda sits with her knees together.

Dolores starts her laugh with a slow ‘ha’, ‘ha’, ‘ha’ and a heave of her chest that makes her drooping English breasts sway left and right. A cigarette hangs from her lips, unlit, of course, for he, Derrick John, would not allow anyone to smoke inside his home. Dolores has the same effect on her as Carmencita: nothing. Blonde, light eyed women never appealed to him.

Kasuko, a Japanese immigrant, sits around with a smirk on her face, not playing with the others, just looking at them, cracking the occasional jokes and giggles like a school girl, her eyes disappearing into tiny slits. Why she takes off her clothes when she does not play is beyond Derrick John’s comprehension, but he isn’t complaining. Kasuko’s naked image can play in his mind anytime. Maybe he should suggest to Irena that they should have a ménage a trois with Kasuko – it might just be what he needs for his waning interest in sex. After all he personally knows how those geishas can satisfy their men. Hmmmm, there's an idea.

And then of course, there’s Irena, his wife, the one who laughs like a hyena. She pumps the table with her fists and stomps her feet on the floor as she laughs, head tilted back, her small breasts moving up and down her bony chest.

In another place and time, Derrick John would have had an all night orgy with these women, like the ones he had in Asia when he was the International Executive Director for BP. Yes, every country he visited, women came to his feet, begging to be had by him; young women, not prostitutes, who were willing to do anything in exchange for a few hundred dollars or in the hope he could bring them to Canada. Women whom his first wife Deborah hated and called primitive prostitutes and having found out he’d gone to bed with not just one but a number of them, she held out sex from him and filed for divorce. He smirks to himself as the thinks of Deborah, the old bag, who took most of his investments and properties.

The sudden loud laughter takes him back to the present.

Derrick John guesses that the women are laughing again at Irena’s story of how his manhood had died a long time ago. “Dead like those people in the mortuary where your husband works,” she says, pointing at Carmencita. Carmencita’s husband works as a make-up artist, for dead people, especially those who died in horrible accidents, preparing them for viewing by relatives. The best make up artist around, but not good enough to do anything about Carmencita’s face.

“Well,” Carmencita says, “at least those dead people are stiff.” And Irena, Freeda, Dolores and Kasuko laugh until their sides ache.

“Okay,” Irena says between laughs. “It’s limp like a… a gum that had just come out of one’s mouth.”

They continue to laugh.

“Dead and limp,” Irena says.

“Is that why you’re wearing black panties today?” Kasuko butts in and they all broke into loud laughter.

“Oh, yeah, that’s because Maria here is in mourning!” Irena slightly raises one side of her body from the chair and points at her bottom part, the flaps of Kotex wings visible as she moves. She high fives with Kasuko and Dolores.

They laugh, and howl, and stomp their feet and pump their fists on the table.

“Enough of this shit,” Derrick John whispers. He takes off his pyjama bottoms and gets out of the room. He sees his reflection on one of the wall frames and combs his thinning hair with his hands. He stops at the top of the stairs and waits for the women to notice him. When they do, they laugh and howl louder, except for Carmencita, who places two fingers in her mouth and lets out a loud whistle. They continue with their ruckus laughter until they all fall on the carpeted floor, hugging their stomachs, uninhibited in their nakedness.

“Darling,” Irena says, mocking evident in her laughter, “what are you doing there (laugh) showing your dead (ha-ha-ha!)… showing your…” She falls on the floor again, her hands grabbing the sides of her body.

Derrick John walks down the steps, deliberately slow, his drooping penis bouncing slightly with each step.

“Oh, look at his…” Freeda says, a finger pointing at Derrick John, “his balls are up to his knees.”

“You are so lucky, Irena,” Dolores interjects, “I understand when you said he has a sizeable asset.” She laughs so hard, her unlit cigarette falls on the floor and gets crushed accidentally by Kasuko's flailing legs.

“Derrick John!” Irena shouts. “What are you trying to do? Didn’t I tell you to stay upstairs when my friends are here?”

“Yes, dear,” he replies.

“So why are you here?” Irena stands there in front of him, hands akimbo, her naked bony body full in his face. “Why?” she asks then she breaks into another laughter.

“Well,” Derrick John says slowly, “you keep telling your friends that my penis is dead.” The four women behind her tried to stifle their giggling.

“So, dear, I decided we should have a viewing.”